French Majolica Duckling and Insect and Plate Keller & Guerin Saint Clement circa 1900.
Border with poppies.

French Majolica Bird Plate Keller & Guerin Saint Clement circa 1900.
Border with poppies.

Elegant and substantial late 19th to early 20th century Neoclassical architectural pediment featuring a scene with cherubs at its center. This piece really makes a statement. Install it above an important entrance or mount it lower to the wall allowing it to serve as a headboard. It is extremely heavy and constructed from solid wood and plaster.

Antique French T & V Limoges scenic porcelain plaque. It measures 7”H x 9 & 1/2”W and framed is 10 1/2” H x 13” W. The T & V mark is stamped on the back. It is in the original frame .

SPECTACULAR, Antique French Limoges Porcelain Plate / Wall Plaque, Hand Painted Yellow Roses, France!

Round mahogany framed intaglios of the grand tour. Romantic busts, couple, and cupid. The background is raw silk. The frame is a carved round mohagony.

This exquisite piece is a traditional Chinese horizontal rectangular panel plaque, crafted for decorative purposes. Its compact size makes it a charming addition to your wall decor, lending an elegant touch to accentuate and enrich your living space. The relief characters read from right to left ” YiDe ” – means ” Medical Ethics “.

Dimensions: w35.5″x h15″ thickness 1″
Origin: China
Material: Wood
Condition: Handmade, vintage-style finish, minor wood crack repair marks, as it

For all USA domestic continental customers (from 48 states), there is a flat shipping fee of $60, which includes insurance and handling charges.

Lovely colorful French Majolica plate with flowers and acanthus leaves Orchies, circa 1890.

Lovely pair of white porcelain display plates featuring a King’s crest in center with gold accents and a wide raised lotus flower design around perimeter with scalloped rim. No maker’s mark.

Hand made studio pottery shallow bowl or plate by Amelie (Amely, Aly) Richter, in plum, lavender and black ues. Signed Aly Richter on underside.

Before her marriage to Dr Georg Martin Richter, in November of 1920, naturalised American citizen, Amelie (Amely, Aly) Richter, had been a Baroness, born in Bavaria and raised in France. A long-time hobbyist, after Dr Richter’s death in 1942, Amelie opened her own studios for art and interior design in New York and London, where she refurbished and embellished old furniture. Inspired by her many trips with Georg to museums and archives, Amelie was known to utilise motifs borrowed from prehistoric cave paintings and American Indian art, and to accent her pieces with semi-precious stones, in shades of purple and turquoise. After directing the arts and crafts department at private high schools in Arizona and California, between 1947 and 1951, Amelie moved to Boston where she studied ceramics at the Museum School of Fine Arts, under the tutelage of Norman Arsenault. She continued her training at the Alfred University where she took technical classes in glaze calculations and clay-body composition, before becoming a member of the Pottery Workshop of Boston. 10 years after Gigi’s departure to England, in 1955 Amelie joined her daughter in England, founding her own pottery workshop in Thriplow, Cambridgeshire. Amelie’s ceramic works have been exhibited at museums across the United States, where they have received widespread acclaim.